This study focuses on the relationship between myth in its classical and modern definition and the theatre, and how the developing Omani theatre can Benefit from western and Arabian experiences in this field. The study shows how myths, around the world, were the first attempt by human beings to think, explain, justify and produce concepts and images. They were the basis on which the first drama was established, and have continued to be a major source of inspiration. The study then explores various modern explanations of myth from the mid nineteenth century, in which myths were classified into various categories and attempts made to study each in isolation. It then illustrates how myths were subsequently studied by anthropologists and psychologists, as manifestations of the individual or collective conscious or unconscious realm, which confirms that myths, despite their outwardly illogical element, carry not fact itself but the essence of the fact. The author clarifies the definition and concept of myth in Islamic and Arabic culture, the meaning of the word in the Holy Quran and the attitude of Islamic and Arab scholars towards it. Consideration is also given to the explanations by modern Arab scholars for the ancient Arabs' lack of concern with myths, in contrast to the cultures of their neighbours.

This study focuses on the relationship between myth in its classical and modern definition and the theatre, and how the developing Omani theatre can Benefit from western and Arabian experiences in this field. The study shows how myths, around the world, were the first attempt by human beings to t...